“The mass media do not transit ideologies, they are themselves an ideology. It doesn’t matter what you say when the recipient is surrounded by a series of communications. The nature of the all disparate information is of scant insignificance.”
“The world exhibitions glorify the exchange value of commodities. They create a framework in which commodities’ intrinsic value is eclipsed. The objects are not desired in themselves, every wish is gone and what remains is pure amusement and excitement. In a contemporary exposition, a country no longer says ‘Look what I produce’ but ‘Look how I am presenting what I produce’.”
An article summarising the Heterotopia of Walt Disney World presentation that I gave in October 2009 is now published in the February edition of the Philosophy Now magazine. The article is part of a series of papers about ‘continental tales’ and the concept of narrative in Continental philosophy.
Citations from the short and very interesting book written by Marc Augé in1995 (contemporary philosophy and anthropology):
“If a place can be defined as relational, historical and concerned with identity, then a space which cannot be defined as relational, or historical, or concerned with identity will be a non-place. Supermodernity produces non-places, meaning spaces which do not integrate the earlier places: instead these are listed, classified, promoted to the status of ‘places of memory’, and assigned to a circumscribed and specific position.”
The Welcome to My Place project is launched! Check out the first contributions here and please feel free to add your own videos.
The aim of the project is to encourage people to film the places that matter to them. Workshops will be organised to better understand the meaning of ‘places’ through the usage of videos. Please contact me if you would like to collaborate. I’m looking for artist cartographers, communities, professionals and academics interested in the study of places and their subjective relations.
The slides of the lecture I gave few weeks ago can now be consulted here. I used the example of Walt Disney World to illustrate the concepts of Utopia, Heterotopia, Postmodernisn and Consumerism. It would have taken me two hours to explain all the relations between them and the theme park. My presentation was limited to half of that time and only a subset of the slides were used for the Philosophy for All lecture. Don’t hesitate to leave your feedback. I hope that the slides are still understandable even without any comments.
What means Progress nowadays? Who defines it? What is our verdict on past and present visions of the future? After having believed in so many utopias, and having been so close to so many dystopias, do we still want to imagine an ideal future? Can we? The Dreams of Progress exhibition intends to introduce the visitor to these questions by screening eleven videos from corporations and artists.
To New Horizons, Handy (Jam) Organization, USA, 1940 – 23 min.
“Definitive document of pre-World War II futuristic utopian thinking, as envisioned by General Motors. Documents the ‘Futurama’ exhibit in GM’s ‘Highways and Horizons’ pavilion at the World’s Fair, which looks ahead to the ‘wonder world of 1960.’”
Productivity Future Vision 2019, Microsoft Office Labs, USA, 2009 – 6 min.
“While the future is impossible to predict, we are constantly looking forward, analyzing trends, and gathering insights to gain a deeper understanding of how investments in computer technology can help us live more productive, fulfilling, and sustainable lives. We welcome you to join us in this journey.”
