Friends of the Westminster Reference Library welcome you to their place. Watch their videos and discover what is the life of a library today. (More coming soon)

See more videos from the Welcome to My Place project.

An article summarising the Heterotopia of Walt Disney World presentation that I gave in October 2009 is now published in the February edition of the Philosophy Now magazine. The article is part of a series of papers about ‘continental tales’ and the concept of narrative in Continental philosophy.

4 key citations from the short and very interesting book written by Marc Augé in1995 (contemporary philosophy and anthropology):

• “If a place can be defined as relational, historical and concerned with identity, then a space which cannot be defined as relational, or historical, or concerned with identity will be a non-place. Supermodernity produces non-places, meaning spaces which do not integrate the earlier places: instead these are listed, classified, promoted to the status of ‘places of memory’, and assigned to a circumscribed and specific position.”
• “Our towns have been turning into museums (restored, exposed and floodlit monuments, listed areas, pedestrian precincts) while at the same time bypasses, motorways, high-speed trains and one-way systems have made it unnecessary for us to linger in them.”
• “Motorway travel is thus doubly remarkable: it avoids, for functional reasons, all the principal places to which it takes us; and it makes comments on them [texts planted along the way side]. Service stations add to this information, adopting an increasingly aggressive role as centres of regional culture, selling a range of local goods with a few maps and guidebooks that might be useful to anyone who is thinking of stopping.”
• “A person entering the space of non-place is relieved of his usual determinants. He becomes no more than what he does and experiences in the role of passenger, customer or driver [...] he obeys the same code as others, receives the same messages, responds to the same entreaties.”

More about places on http://curatedmatter.org/welcome-to-my-place/

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The Welcome to My Place project is launched! Check out the first contributions here and please feel free to add your own videos.

The aim of the project is to encourage people to film the places that matter to them. Workshops will be organised to better understand the meaning of ‘places’ through the usage of videos. Please contact me if you would like to collaborate. I’m looking for artist cartographers, communities, professionals and academics interested in the study of places and their subjective relations.

The video of the Philosophy and Management Pecha Kucha presentation given by Laurent Ledoux at Recyclart is now online.

Find here more details about how the pictures and Polaroids were curated.

Thanks to Jefolo, Chris Jordan, kide, QundL, Benjamin Sandri who generously let us use their photographs and to Nancy L. Stockdale, Thomas van der Vlis and Compton.m who published their Polaroids under a Creative Commons license.

• Videos part 1: Visions for the future
• Videos part 2: Microsoft productivity vision for 2019
• Videos part 3: Artistic views at the past
• Videos part 4: Discovery of Magnetic North
• Videos part 5: Artistic reactions to Progress

Foreword

What means Progress nowadays? Who defines it? What is our verdict on past and present visions of the future? After having believed in so many utopias, and having been so close to so many dystopias, do we still want to imagine an ideal future? Can we? The Dreams of Progress exhibition intends to introduce the visitor to these questions by screening eleven videos from corporations and artists.

The first set of videos explore some of the utopias envisioned by corporations from the 40s until now. They offer an insight into the social values of their time: efficiency, order, technology, consumerism, knowledge, sustainability and globalisation to list only few of them. In their form, the videos are the natural descendants of utopian visions from authors such as  Thomas More and Aldous Huxley. However, they each offer a unique solution for the future, radically new or in continuity of past ideals.

The second set of videos are by emerging video artists from around the world. Some of artists describe their own vision of the future, others express their perspective on the ambivalent notion of Progress. Rather than reaching a consensus, their videos put forward a wide range of perspectives, from nostalgia to optimism, cynicism to embracement. The videos give a glimpse at how the current Western generation put in perspective ‘Progress’ since their childhood, and how they live it today.

Both sets are distributed on five screens with the intention of exploring the dialogue between the videos. The visitor is asked to make his own judgement on whether what he sees is propaganda lead by self interest, or a genuine proposition for a better future; if the videos advocate ‘Progress’ or instead distance themselves from such beliefs.

The exhibition does not provide any concrete answers, but instead intends to place the ideas of Utopia and Progress at the centre stage of the social debate. The world needs more than ever to meditate on its course, in what some describe as a profound global crisis, economical, environmental and ideological. Utopias and visionaries tend paradoxically to emerge in the least favourable circumstances. For some, they testify on the capacity that has humanity to  choose itself until its most unlikely destiny. For others, they are a chronicle disease.

Christophe Bruchansky, Curator

• Videos part 1: Visions for the future
• Videos part 2: Microsoft productivity vision for 2019
• Videos part 3: Artistic views at the past
• Videos part 4: Discovery of Magnetic North
• Videos part 5: Artistic reactions to Progress

To New Horizons, Handy (Jam) Organization, USA, 1940 – 23 min.

“Definitive document of pre-World War II futuristic utopian thinking, as envisioned by General Motors. Documents the ‘Futurama’ exhibit in GM’s ‘Highways and Horizons’ pavilion at the World’s Fair, which looks ahead to the ‘wonder world of 1960.’”

Century 21 Calling, Fairbanks (Jerry) Productions, 1964 – 14 min.

“Romp through the futuristic landscape of the Seattle World’s Fair, centred in the Bell System pavilion.”

Future of Cities, Squint/opera, UK, 2007 – 4 min.

“The film was commissioned by The Danish Royal Academy of Architecture and is part of a publication outlining the outcome of the International Federation for Housing and Planning Congress that took place in Copenhagen in 2007. ‘Futures of Cities’ is a selection of contributions presented during the congress. These contributions consist of work from miscellaneous architectural practitioners, ten principles developed by ‘Monday Morning’ and competition entries from the student competition that took place as part of the event.”

• Thoughts on these visions for the future
• Videos part 2: Microsoft productivity vision for 2019

Productivity Future Vision 2019, Microsoft Office Labs, USA, 2009 – 6 min.

“While the future is impossible to predict, we are constantly looking forward, analyzing trends, and gathering insights to gain a deeper understanding of how investments in computer technology can help us live more productive, fulfilling, and sustainable lives. We welcome you to join us in this journey.”

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• Thoughts on the 2019 productivity vision from Microsoft
• Videos part 3: Artistic views at the past